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<channel><title><![CDATA[dougwestendorp.com - Poetry Journal]]></title><link><![CDATA[https://www.dougwestendorp.com/poetry-journal]]></link><description><![CDATA[Poetry Journal]]></description><pubDate>Fri, 20 Mar 2026 05:57:34 -0700</pubDate><generator>Weebly</generator><item><title><![CDATA[Ryōkan gets the last word]]></title><link><![CDATA[https://www.dougwestendorp.com/poetry-journal/ryokan-gets-the-last-word]]></link><comments><![CDATA[https://www.dougwestendorp.com/poetry-journal/ryokan-gets-the-last-word#comments]]></comments><pubDate>Thu, 31 Aug 2023 22:12:49 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.dougwestendorp.com/poetry-journal/ryokan-gets-the-last-word</guid><description><![CDATA[Who says my poems are poems?My poems are not poems.When you know that my poems are not poems,Then we can speak of poetry.&#8203;&mdash;&nbsp; Ry&#333;kanInstead of my long complaint in yesterday's post I could just as well posted this poem and been done with&nbsp;it, I think.&nbsp;Source: https://quotepark.com/quotes/1946670-ryokan-who-says-my-poems-are-poems-my-poems-are-not-poe/ [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><font size="3"><font color="#262626">Who says my poems are poems?</font><br /><font color="#262626">My poems are not poems.</font><br /><font color="#262626">When you know that my poems are not poems,</font><br /><font color="#262626">Then we can speak of poetry.</font><br /><br /><font color="#262626">&#8203;&mdash;&nbsp; Ry&#333;kan</font><br /><br /><font color="#262626">Instead of my long complaint in yesterday's post I could just as well posted this poem and been done <span>with</span>&nbsp;it, I think.&nbsp;</font></font><br /><br /><span style="color:rgb(38, 38, 38)">Source: https://quotepark.com/quotes/1946670-ryokan-who-says-my-poems-are-poems-my-poems-are-not-poe/</span></div>]]></content:encoded></item><item><title><![CDATA[Carl Phillips]]></title><link><![CDATA[https://www.dougwestendorp.com/poetry-journal/august-30th-2023]]></link><comments><![CDATA[https://www.dougwestendorp.com/poetry-journal/august-30th-2023#comments]]></comments><pubDate>Wed, 30 Aug 2023 15:44:00 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.dougwestendorp.com/poetry-journal/august-30th-2023</guid><description><![CDATA[I have to stop ordering books online, sight unseen. Last week I came across,&nbsp;My Trade is Mystery, Seven Meditations from a Life in Writing, by Carl Phillips, and sent for it. I liked the cover and the title, and the blurb on bookshop.org. But so far anyway, I&rsquo;m disappointed. Not that it&rsquo;s a bad book &ndash; it&rsquo;s well written, and probably is a good book for many &ndash; but it&rsquo;s not for me. Most frustrating to me is that he makes global statements about art that don& [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><font size="3">I have to stop ordering books online, sight unseen. Last week I came across,&nbsp;<em>My Trade is Mystery, Seven Meditations from a Life in Writing</em>, by Carl Phillips, and sent for it. I liked the cover and the title, and the blurb on bookshop.org. But so far anyway, I&rsquo;m disappointed. Not that it&rsquo;s a bad book &ndash; it&rsquo;s well written, and probably is a good book for many &ndash; but it&rsquo;s not for me. Most frustrating to me is that he makes global statements about art that don&rsquo;t apply to me. Like, &ldquo;&hellip;[Writing a poem is] how I temporarily arrive at clarity and stability &ndash; emotionally, psychologically, intellectually&hellip; Art is one of the many ways to get there but for the artist it&rsquo;s a chief way, and sometimes the only way.&rdquo; Really. Clarity and stability. I guess I need those as much as anyone, but it&rsquo;s certainly not why I write or draw. A couple pages later he writes, &ldquo;All art springs from a human impulse, if not to resolve what&rsquo;s not resolvable, then to contain, if only temporarily, what resists containment&hellip;&rdquo; Seriously. All art. Hmm. &ldquo;Each time I write a poem I feel as if I&rsquo;ve laid something to rest, arrived at the stability of having understood a thing.&rdquo; Wow. Laid to rest. His stability sounds like something to put in a grave. Or pinned to a board, maybe, like a butterfly, captured and laid out securely dead and on display. He even uses the word &ldquo;capture,&rdquo; as this capturing is assumed to be the intention of art.&nbsp;<br />&nbsp;<br />Well, I'm not out to capture anything, much less stabilize&nbsp;it with my understanding. If anything my poems are meant to release butterflies. Set them free. Let them fly.&nbsp;<br />&nbsp;<br />He goes on, on the same page (only page 11) to speak of self expression, like it&rsquo;s a given, not even up for debate. &ldquo;How we express ourselves and understand ourselves and the world around us&hellip;&rdquo; Well, if poetry is for him an expression of himself and his understanding, can&rsquo;t he just say that? Who is this &ldquo;we&rdquo; he refers to. Not me.&nbsp;<br />&nbsp;<br />Am I not a poet? Or an artist? On page 12 he offers (parenthetically, no less) that art is &ldquo;the artist&rsquo;s medium for expression and understanding.&rdquo; If that&rsquo;s not what my art is, and that leaves me out, I suppose I can live with that. If that&rsquo;s the consensus he makes it out to be. But it makes it all that much harder to put (what I call) my poetry and my artwork out where it can be seen. It seems I have to start with explaining how&nbsp;<em>not</em>&nbsp;to read my poems.&nbsp;<br />&nbsp;<br />As I&rsquo;ve been doing for many years anyway, I guess. As anyone who reads these blog posts must have noticed by now, I keep saying that my poems are not self-expression but self-less-expression. I point to the ancient Chinese poems that have nothing to do with personal expression or understanding the world. Or the poetry of Robert Lax that resonate as spiritual depth in a material world.&nbsp;</font><br /></div>]]></content:encoded></item><item><title><![CDATA[What astounds cannot be]]></title><link><![CDATA[https://www.dougwestendorp.com/poetry-journal/what-astounds-cannot-be]]></link><comments><![CDATA[https://www.dougwestendorp.com/poetry-journal/what-astounds-cannot-be#comments]]></comments><pubDate>Fri, 23 Jun 2023 14:34:13 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.dougwestendorp.com/poetry-journal/what-astounds-cannot-be</guid><description><![CDATA[&#8203;What astounds cannot be&nbsp;the remnant of what&nbsp;has been.Tomorrow still blind&nbsp;advances slowly.Sight and light&nbsp;race towards each other,&nbsp;and from their embrace&nbsp;is born the day,&nbsp;eyes open&nbsp;tall as a foal.Murmuring river&nbsp;clasps the mist&nbsp;for a moment more.The peaks are signing on&nbsp;the sky.Stop and hear&nbsp;the milking machines&nbsp;designed to suck like calves.In the first heat&nbsp;the forested hills calculate&nbsp;their steepness.The lorry dr [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><font size="3">&#8203;What astounds cannot be&nbsp;<br />the remnant of what&nbsp;<br />has been.<br />Tomorrow still blind&nbsp;<br />advances slowly.<br />Sight and light&nbsp;<br />race towards each other,&nbsp;<br />and from their embrace&nbsp;<br />is born the day,&nbsp;<br />eyes open&nbsp;<br />tall as a foal.<br />Murmuring river&nbsp;<br />clasps the mist&nbsp;<br />for a moment more.<br />The peaks are signing on&nbsp;<br />the sky.<br />Stop and hear&nbsp;<br />the milking machines&nbsp;<br />designed to suck like calves.<br />In the first heat&nbsp;<br />the forested hills calculate&nbsp;<br />their steepness.<br />The lorry driver is taking the road&nbsp;<br />to the pass which leads&nbsp;<br />surprisingly&nbsp;<br />with its own familiarity&nbsp;<br />to another homeland.<br />Soon the grass will be&nbsp;<br />warmer&nbsp;<br />than the cows&rsquo; horns.<br />The astounding comes&nbsp;<br />towards us&nbsp;<br />outrider of death and birth.<br />&nbsp;<br />John Berger</font><br /></div>]]></content:encoded></item><item><title><![CDATA[The Poem Waits...]]></title><link><![CDATA[https://www.dougwestendorp.com/poetry-journal/the-poem-waits]]></link><comments><![CDATA[https://www.dougwestendorp.com/poetry-journal/the-poem-waits#comments]]></comments><pubDate>Sat, 17 Jun 2023 15:36:17 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.dougwestendorp.com/poetry-journal/the-poem-waits</guid><description><![CDATA[The Poem Waits at Its Own CoreBy&nbsp;John Fox(Contemporary)The poem at its coreIs snow or egg,The new moon or grassIn spring.All these pause at the edgeOf change. There is a deepStillness you must pass throughTo get close to what waits.At this edge, you leaveEverything behindExcept what the poem needs:Warmth, rain, silence,Gravity --Make it something you knowOnly for the first time:A river, heartbeat,Cradle, field of play.The place where all thingsBegin again. [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><font size="5" color="#CC0000"><strong><em>The Poem Waits at Its Own Core</em></strong></font><br /><span></span><font size="4" color="#CC0000">By&nbsp;<strong><em>John Fox</em></strong></font><br /><font size="3" color="#CC0000">(Contemporary)</font><br /><span></span><br /><br /><span></span><font size="4">The poem at its core<br />Is snow or egg,<br />The new moon or grass<br />In spring.<br /><br />All these pause at the edge<br />Of change. There is a deep<br />Stillness you must pass through<br />To get close to what waits.<br /><br />At this edge, you leave<br />Everything behind<br />Except what the poem needs:<br />Warmth, rain, silence,<br />Gravity --<br />Make it something you know<br />Only for the first time:<br /><br />A river, heartbeat,<br />Cradle, field of play.<br />The place where all things<br />Begin again.</font><br /><span></span></div>]]></content:encoded></item><item><title><![CDATA[Until He Comes to Rain]]></title><link><![CDATA[https://www.dougwestendorp.com/poetry-journal/until-he-comes-to-rain]]></link><comments><![CDATA[https://www.dougwestendorp.com/poetry-journal/until-he-comes-to-rain#comments]]></comments><pubDate>Mon, 22 May 2023 15:52:15 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.dougwestendorp.com/poetry-journal/until-he-comes-to-rain</guid><description><![CDATA[New book of original poetry. Check it out here:&nbsp;https://www.blurb.com/b/11589733-until-he-comes-to-rain        [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><font size="3">New book of original poetry. Check it out here:&nbsp;<br /><a href="https://www.blurb.com/b/11589733-until-he-comes-to-rain">https://www.blurb.com/b/11589733-until-he-comes-to-rain</a><br /></font><br /></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.dougwestendorp.com/uploads/6/2/1/3/6213652/img-5905_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>]]></content:encoded></item><item><title><![CDATA[The Abundance of Brightness]]></title><link><![CDATA[https://www.dougwestendorp.com/poetry-journal/the-abundance-of-brightness]]></link><comments><![CDATA[https://www.dougwestendorp.com/poetry-journal/the-abundance-of-brightness#comments]]></comments><pubDate>Mon, 20 Feb 2023 18:15:51 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.dougwestendorp.com/poetry-journal/the-abundance-of-brightness</guid><description><![CDATA[The Abundance of BrightnessBy&nbsp;Dorothy Walters(1928 - 2023)&nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;God is not unknown on account of obscurity&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; but on account of the abundance of brightness.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; -- St. Thomas Aquinas1.Dante Mounting to the Rose of HeavenNot one of uscould breathe this air,face this naked radianceunscathed.Here music turns to light,a tone so sweetthat we, dulled byour  [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><font size="3"><strong><em><span style="color:rgb(204, 0, 0)">The Abundance of Brightness</span></em></strong><br /><span style="color:rgb(204, 0, 0)">By<span>&nbsp;</span><strong><em>Dorothy Walters</em></strong></span><br /><span style="color:rgb(204, 0, 0)">(1928 - 2023)</span><span style="color:rgb(36, 36, 36)">&nbsp;<span>&nbsp;</span></span><br /><span style="color:rgb(36, 36, 36)">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<span>&nbsp;</span><em>God is not unknown on account of obscurity<br />&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; but on account of the abundance of brightness.<br />&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; -- St. Thomas Aquinas</em><br /><br />1.<br /><em>Dante Mounting to the Rose of Heaven</em><br /><br />Not one of us<br />could breathe this air,<br />face this naked radiance<br />unscathed.<br />Here music turns to light,<br />a tone so sweet<br />that we, dulled by<br />our familiar calliope,<br />mistake its sound for silence.<br /><br />Dante, mounting to tiers of<br />trembling flame,<br />found light. Light everywhere.<br />Circles, wheels,<br />light on light,<br />a dance of invisibles.<br />The flames pulsating, as if<br />measuring the breath of heaven.<br />At the last, he falls forward,<br />caught in widening rings<br />of implacable bright.<br /><br />2.<br /><em>At Eleusis</em><br /><br />Even at Eleusis,<br />after the long journey,<br />the sea-bath among the sacred waves,<br />the accounts of the grieving mother<br />and her vanished child,<br />at the end<br />the shouts rang out<br />like birth-cries in the throats<br />of the startled pilgrims, blinded<br />by the flare of torches sweeping<br />from frames of darkness.<br />Then silence. Then they saw.<br /><br />3.<br /><em>A Celebration</em><br /><br />And then quiet.<br />Someone who whispers:<br />now we are free.<br /><br />Which was, almost,<br />true,<br />but only in the way<br />a bird,<br />leaving a limb,<br />goes freely into<br />a different realm,<br />an atmosphere<br />more pure,<br />more transparent,<br />but that, too,<br />maintaining its fixities.<br /><br />4.<br /><em>The Clinging</em><br /><br /><em>[for those who] have beheld the Tao... gems sparkle on dusty roads; puddles appear as pools of lapis lazuli; tough weeds acquire fragile beauty...<br />&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; -- John Blofield</em><br /><br />The I Ching calls it clinging, fire:<br />"Fire has no definite form,"<br />it says,<br />"but clings to the burning object<br />and thus is bright."</span></font></div>]]></content:encoded></item><item><title><![CDATA[Charles Simic]]></title><link><![CDATA[https://www.dougwestendorp.com/poetry-journal/charles-simic]]></link><comments><![CDATA[https://www.dougwestendorp.com/poetry-journal/charles-simic#comments]]></comments><pubDate>Sat, 14 Jan 2023 02:27:56 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.dougwestendorp.com/poetry-journal/charles-simic</guid><description><![CDATA[We lost a great poet this week. One of my favorites. I think I may have more of his books than of anyone's. Quite a few, anyway. I got to meet him some years ago when he was here in Minneapolis to do a reading at Plymouth Church. Robert Bly was there as well. I bought a new book or two from him that night, and asked him to sign some other books I had brought along. Wonderful night. Wonderful poet. I will miss him.      Charles Simic, Pulitzer Prize-winning poet, dies at 84&nbsp;&nbsp;Jan 10, 202 [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><span><font size="3">We lost a great poet this week. One of my favorites. I think I may have more of his books than of anyone's. Quite a few, anyway. I got to meet him some years ago when he was here in Minneapolis to do a reading at Plymouth Church. Robert Bly was there as well. I bought a new book or two from him that night, and asked him to sign some other books I had brought along. Wonderful night. Wonderful poet. I will miss him.</font></span></div>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.dougwestendorp.com/uploads/6/2/1/3/6213652/gettyimages-80052692-1200x800_orig.jpg" style="margin-top: 10px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:0; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="paragraph"><font size="4">Charles Simic, Pulitzer Prize-winning poet, dies at 84</font><span style="color:rgb(49, 68, 93)">&nbsp;</span><span style="color:rgb(49, 68, 93)">&nbsp;</span>Jan 10, 2023&nbsp;<br /><br />NEW YORK (AP) &mdash; Charles Simic, the Pulitzer Prize-winning poet who awed critics and readers with his singular art of lyricism and economy, tragic insight and disruptive humor, has died at age 84. The death of Simic, the country&rsquo;s poet laureate from 2007-2008, was confirmed Monday by executive editor Dan Halpern at Alfred A. Knopf. He did not immediately provide additional details.<br /><br /><a href="https://www.pbs.org/newshour/show/charles-simic-from-belgrade-to-poet-laureate"><strong style="color:rgb(22, 31, 45)">WATCH:</strong>&nbsp;Charles Simic: From Belgrade to Poet Laureate</a><br /><br />Author of dozens of books, Simic was ranked by many as among the greatest and most original poets of his time, one who didn&rsquo;t write in English until well into his 20s. His bleak, but comic perspective was shaped in part by his years growing up in wartime Yugoslavia, leading him to observe that &ldquo;The world is old, it was always old.&rdquo; His poems were usually short and pointed, with surprising and sometimes jarring shifts in mood and imagery, as if to mirror the cruelty and randomness he had learned early on.<br /><br />In &ldquo;Two Dogs,&rdquo; Simic writes of how one dog in &ldquo;some Southern town&rdquo; and another in the New Hampshire woods reminded him of a &ldquo;little white dog&rdquo; who became &ldquo;entangled&rdquo; in the feet of marching German soldiers. &ldquo;Reading History&rdquo; is a sketch of the &ldquo;vast, dark and impenetrable&rdquo; skies for those &ldquo;led to their death.&rdquo; In &ldquo;Help Wanted,&rdquo; life is a cosmic joke, and the narrator a willing dupe:<br /><br />They asked for a knife<br />I come running<br />They need a lamb<br />&#8203;I introduce myself as the lamb<br /><br />But Simic also loved wordplay (&ldquo;The insomniac&rsquo;s brain is a choo-choo train&rdquo;), catcalls (&ldquo;America, I shouted at the radio/Even at 2 a.m. you are a loony bin!&rdquo;) and the interplay of great thoughts and everyday follies: &ldquo;What was that fragment of Heraclitus/You were trying to remember/As you stepped on the butcher&rsquo;s cat?&rdquo; he wrote in &ldquo;The Friends of Heraclitus.&rdquo; In &ldquo;Transport,&rdquo; sex becomes a near-literal feast of the senses:<br /><br />In the frying pan<br />On the stove<br />I found my love<br />And me naked<br />Chopped onions<br />Fell on our heads<br />And made us cry<br />It&rsquo;s like a parade,<br />I told her, confetti<br />When some guy<br />Reaches the moon<br /><br />His notable books included &ldquo;The World Doesn&rsquo;t End,&rdquo; winner of the Pulitzer in 1990; &ldquo;Walking the Black Cat,&rdquo; a National Book Award finalist in 1996; &ldquo;Unending Blues&rdquo; and such recent collections as &ldquo;The Lunatic&rdquo; and &ldquo;Scribbled in the Dark.&rdquo; In 2005, he received the Griffin Poetry Prize and was praised by judges as &ldquo;a magician, a conjuror,&rdquo; master of &ldquo;a disarming, deadpan precision, which should never be mistaken for simplicity.&rdquo; He was fluent in several languages and translated the works of other poets from French, Serbian, Croatian, Macedonian, and Slovenian.<br /><br />His 2022 collection &ldquo;No Land in Sight&rdquo; presented a dark vision of contemporary life, such as the poem &ldquo;Come Spring&rdquo; and its warning: &ldquo;Don&rsquo;t let that birdie in the tree/Fool you with its pretty song/The wicked are back from hell.&rdquo;&nbsp;In 1964, Simic married fashion designer Helene Dubin, with whom he had two children. He became an American citizen in 1971 and two years later joined the faculty of the University of New Hampshire, where he remained for decades.<br /><br />Born Dusan Simic in Belgrade in 1938, the year before World War II began, he would describe his youth as &ldquo;a small, nonspeaking part/In a bloody epic.&rdquo; His father fled to Italy in 1942 and was apart from the family for years. Home was so oppressive that Simic came to see the war as a needed escape.&nbsp;&ldquo;The war ended the day before May 9, 1945, which happened to be my birthday,&rdquo; he told the Paris Review in 2005. &ldquo;I was playing in the street. I went up to the apartment to get a drink of water where my mother and our neighbors were listening to the radio. They said, &lsquo;War is over,&rsquo; and apparently I looked at them puzzled and said, &lsquo;Now there won&rsquo;t be any more fun!&rsquo; In wartime, there&rsquo;s no parental supervision; the grown-ups are so busy with their lives, the kids can run free.&rdquo;<br /><br />Simic would refer to Hitler and Stalin as his &ldquo;travel agents.&rdquo; Nazi rule gave way to Soviet-backed oppression and Simic emigrated to France with his mother and brother in the mid-1950s, then soon to the U.S. His family settled in Chicago, where his high school was once attended by Ernest Hemingway, and he became interested in poetry &mdash; for the art and for the girls. His parents unable to pay for college, he spent a decade working at jobs ranging from a payroll clerk to house painter while taking night classes at the University of Chicago and eventually New York University, from which he graduated in 1966 with a degree in Russian studies.<br /><br />His first book, &ldquo;What the Grass Says,&rdquo; came out in 1967. He followed with &ldquo;Somewhere Among Us a Stone is Taking Notes&rdquo; and &ldquo;Dismantling the Silence,&rdquo; and was soon averaging a book a year. A New York Times review from 1978 would note his gift for conveying &ldquo;a complex of perceptions and feelings&rdquo; in just a few lines.<br /><br />&ldquo;Of all the things ever said about poetry, the axiom that less is more has made the biggest and the most lasting impression on me,&rdquo; Simic told Granta in 2013. &ldquo;I have written many short poems in my life, except &lsquo;written&rsquo; is not the right word to describe how they came into existence. Since it&rsquo;s not possible to sit down and write an eight-line poem that&rsquo;ll be vast for its size, these poems are assembled over a long period of time from words and images floating in my head.&rdquo;<br /><br /></div>]]></content:encoded></item><item><title><![CDATA[End of the year... beginning of a new year]]></title><link><![CDATA[https://www.dougwestendorp.com/poetry-journal/end-of-the-year-beginning-of-a-new-year]]></link><comments><![CDATA[https://www.dougwestendorp.com/poetry-journal/end-of-the-year-beginning-of-a-new-year#comments]]></comments><pubDate>Fri, 30 Dec 2022 21:39:25 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.dougwestendorp.com/poetry-journal/end-of-the-year-beginning-of-a-new-year</guid><description><![CDATA[HalleluiahBy&nbsp;Mary Oliver(1935 - 2019)&nbsp;&nbsp;Everyone should be born into this world happyand loving everything.But in truth it rarely works that way.For myself, I have spent my life clamoring toward it.Halleluiah, anyway I'm not where I started!And have you too been trudging like that, sometimesalmost forgetting how wondrous the world isand how miraculously kind some people can be?And have you too decided that probably nothing importantis ever easy?Not, say, for the first sixty years.H [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><font size="5" color="#CC0000"><strong><em>Halleluiah</em></strong></font><br /><span></span><font size="4" color="#CC0000">By&nbsp;<strong><em>Mary Oliver</em></strong></font><br /><font size="3" color="#CC0000">(1935 - 2019)</font><br /><span></span>&nbsp;&nbsp;<br /><span></span><font size="4">Everyone should be born into this world happy<br />and loving everything.<br />But in truth it rarely works that way.<br />For myself, I have spent my life clamoring toward it.<br />Halleluiah, anyway I'm not where I started!<br /><br />And have you too been trudging like that, sometimes<br />almost forgetting how wondrous the world is<br />and how miraculously kind some people can be?<br />And have you too decided that probably nothing important<br />is ever easy?<br />Not, say, for the first sixty years.<br /><br />Halleluiah, I'm sixty now, and even a little more,<br />and some days I feel I have wings.</font><br /><span></span></div>]]></content:encoded></item><item><title><![CDATA[For my Granddaughters at Thanksgiving]]></title><link><![CDATA[https://www.dougwestendorp.com/poetry-journal/for-my-granddaughters-at-thanksgiving]]></link><comments><![CDATA[https://www.dougwestendorp.com/poetry-journal/for-my-granddaughters-at-thanksgiving#comments]]></comments><pubDate>Fri, 25 Nov 2022 16:48:38 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.dougwestendorp.com/poetry-journal/for-my-granddaughters-at-thanksgiving</guid><description><![CDATA[&#8203;CAROM OF GRACE&nbsp;God&rsquo;s loveShining from your eyesDirectly into mine [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><font size="3">&#8203;CAROM OF GRACE<br />&nbsp;<br />God&rsquo;s love<br />Shining from your eyes<br />Directly into mine</font></div>]]></content:encoded></item><item><title><![CDATA[Laying around with covid, reading poetry]]></title><link><![CDATA[https://www.dougwestendorp.com/poetry-journal/laying-around-with-covid-reading-poetry]]></link><comments><![CDATA[https://www.dougwestendorp.com/poetry-journal/laying-around-with-covid-reading-poetry#comments]]></comments><pubDate>Thu, 22 Sep 2022 16:52:43 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.dougwestendorp.com/poetry-journal/laying-around-with-covid-reading-poetry</guid><description><![CDATA[IT'S THE SEASON I OFTEN MISTAKEBirds for leaves, and leaves for birds.The tawny yellow mulberry leavesare always goldfinches tumblingacross the lawn like extreme elation.The last of the maroon crabappleovates are song sparrows that trembleall at once. And today, just when Icould not stand myself any longer,a group of field sparrows, which wereactually field sparrows, flew up intothe bare branches of the hackberryand I almost collapsed: leaves reattaching&nbsp;themselves to the treelike a strong  [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><font size="3">IT'S THE SEASON I OFTEN MISTAKE<br /><br />Birds for leaves, and leaves for birds.<br />The tawny yellow mulberry leaves<br />are always goldfinches tumbling<br />across the lawn like extreme elation.<br />The last of the maroon crabapple<br />ovates are song sparrows that tremble<br />all at once. And today, just when I<br />could not stand myself any longer,<br />a group of field sparrows, which were<br />actually field sparrows, flew up into<br />the bare branches of the hackberry<br />and I almost collapsed: leaves <br />reattaching&nbsp;themselves to the tree<br />like a strong spell for reversal. What<br />else did I expect? What good<br />is accuracy amidst the perpetual<br />scattering that unspools the world.</font><br /><br />-&nbsp;<span style="color:rgb(0, 0, 0)">Ada Lim&oacute;n<br />24th Poet Laureate of The United States</span><br /></div>]]></content:encoded></item></channel></rss>